"大力伤害"是小珂和周子涵合作实施的户外社会剧场表演作品,旨在城市公共环境中有目的有针对性的实施其身体观念表演,以此连接艺术家的个人生活和所处的城市环境,并将表演艺术推上街头,尽最大可能地与公众接触,并产生互动,"大力伤害"将艺术家的艺术观念还原于生活当中,完成观念本身“从生活中来,消逝在生活中”的生命过程。

作品四号:预备,起!

2011年12月8日15:30-16:30 深圳海德广场户外空地。这是一句记忆中的句子。在过去种种集体性的活动中,我们时常听到。它表达着一种即将,马上发生的含义,并带动着一个集体的行为意图。作品实施现场,周子涵会在户外空地上用橡胶鞭子,抽打钢制的陀螺,从大到小共三个,陀螺在鞭打的过程中开始进入急速的旋转,并发生特有的混响。小珂在周子涵鞭抽陀螺的地面上,用水书写中华人民共和国的宪法。文字在过程中被缓慢蒸发,陀螺和鞭子的声音贯彻始终。一个地面书写,一个抽打陀螺,我们选择了两种传统常见的健身术,并将这一刚一柔的行为借助深圳这座城市连接在一起。地上所写的,代表着一个虚无的意识,鞭子抽打的陀螺在轰鸣的混响中催促着下一鞭子的到来。

Darling Hurt is a series of outdoor social theatre works collaborated between two independent artists Xiao Ke and Zhou Zihan. Having the purpose to realize the conceptual body performance in the urban public environment, it no less connects the personal life of the artists with the city where they live than pushing the performing art onto the street which engenders the opportunity to have contacts as much as possible with the public as well the interaction. By restoring the artists’ ideas back into life, Darling Hurt is to fulfill the life process of the idea itself that what comes from life vanishes into life.

Darling Hurt IV Ready, go!

Time: 3:30pm-4:30pm Dec.8 2011
Venue: The Outdoor Space of Hyde Plaza at Shen Zhen

This is a sentence in our memory. It was often heard during all sorts of group activities in the past days. That something is about to happen immediately is what it means, together with the intention of a certain collective behavior. During the piece, Zhou Zihan was flogging hard the steel spinning tops with his rubber whips at an outdoor space. There were 3 tops from big to small which spun rapidly and uttered its unique sound of reverberation as the whipping went on. In the meantime, Xiao Ke was writing in water the Constitution of the People’s Republic of China on the ground. The words evaporated gradually while the sounds carried on from the beginning to the end. One writes on the ground, the other whips the top, a soft and a hard, they choose the two popular traditional bodybuilding exercises and find the city Shen Zhen as a place to correlate the two with each other. What has been written on the ground represents a nihilistic consciousness and the tops being flogged roar to urge a next whip.